Twenty Twenty-One

 

Fun Espresso

 

 

Egad, the Casbah in Santa Barbara

Part of the fun is the embrace of perfume

Cafe Angelica Emerald Crème

A sabbatical delay waiting to be served

A ceremonial promenade hunched over gazettes

Unwelcome raindrops splatter the canvassed toes of my shoes

Thus the au courant cartoons on my stringy denim knees

Inside at last, I’m saved and Mocha Berry satisfied

Like the face of the fretless little girl

Blowing candy off the floor in her mouth

Clicking up and down in shoes too big for her feet

Stealing glances at an intellectual jerk

Chocolate Cherry satisfied between deep banter

With a friend floating in Vanilla Colada

Part of the fun is real references to books

And book references to real well read attitudes

What’s the shiniest patented leather flats

On the girl with the silkiest blonde hair

Doing with the darkest man

In Dreadlocks and Birkenstocks?

No talk between them

Then they’re sharing the table

Those lined outside will share tables too

The Raspberry Almond can sit with me

Keeping the beat with an aggravated drum lead

His body twitched with jazzy guitar licks

He smiled between the plugs in his ears

And faces fade into a mirror in the back

Part of the fun is waking up here

In an essay on spice and circumstance

A sabbatical renewal once more

On a regional affirmation of decadence

This day of rest I worship Santa Barbara

And the celestial trip I straddle

To be able to dry my canvassed toes

With the heat of Golden Pecan

And the fervent chill of observation

In my sanctioned Casbah

In my sabbatical home

I hold my head up

My cup runneth over

Reading books and people vicariously

Egad, I am dry and satisfied

 

© 2002, 2020 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Explode Goes To Dreamscape

https://www.trenchpeople.com/

THE DREAMSCAPE MEDIA KIT

 

EXPLODE – The Writers Environment is a platform for curated and commercial content in an immersive and interactive meta-environment… and DREAMSCAPE is the landing. It’s an immersive environment that functions like a wikihole — and a literary Pokémon.

When content on Dreamscape tells a story about a beautiful woman swimming in a pool – we want you to see her.  We want you to stumble for points on a link you cannot see, fall down a rabbit hole and land in an environment with a beautiful woman swimming in a pool, on the inside of a glass house – in Hollywood Hills…

Like Seth Godin’s Purple CowDREAMSCAPE is remarkable because it has to be. Or, it’s just another brown cow — an ordinary website — with ordinary content. But Purple Cows need Purple Cows to be Purple Cows. Dreamscape facilitates purple content, purple website design and development, and purple product placement — for purple people.

DREAMSCAPE  is space for visionaries — Poets, Writers, Coders, Programmers, Filmmakers, Thespians, Graphic Designers, Artists, Musicians, Directors, Cinematographers, Designers, Educators, Historians, Actors, Conceptual and Performance artists, Photographers, Influencers, Virtual Reality Developers and Designers. XR and AI.

It is a platform for curated content in an interactive meta-environment that facilitates content and other stories – using digital media and art that redefines how artists, their audience and visitors experience real and virtual content on several levels — where every paragraph, period, and ellipses is space for discovery.

Dreamscape is what William Gibson described in Neuromancer, “A graphic representation of data plugging your consciousness into a digital world, while watching the physical realm evaporate.”

Let’s realize an alternative reality where presentation is myth and “space” is an intrinsic, discrete, and symmetrical experience in the one and only interactive meta environment — Dreamscape.

WORLDWIDE AUDIENCE REACH >11M
FOLLOWERS ACROSS SOCIAL PLATFORMS >354K
GENDER F: 47% M: 51% Unspecified: 2%
DEMOGRAPHICS 18-24: 41% 25-34: 26% 35-44: 13% 45-54: 9% 55-64: 6% 65+ 5%
LOVE DIVINE VIDEO IMPRESSIONS >1M
AVERAGE TIME SPENT ON DREAMSCAPE 44.48 sec

Acknowledgement:
DREAMSCAPE will benefit humanity as an alternative to social malfeasance e.g., sexism, racism, classism, genderism, ageism, colonialism, colorism, persecution, oppression, violence and subjugation… It is space to dream unencumbered – immersed in dopamine and replete with points for discovery. It will also be a ton of fun that satisfies a generation that is increasingly becoming homebody consumers in a homebody economy.  What we experience in RL, we can experience untethered in XR and AI.

© 2020 E Maria Shelton Speller

 

Music, SFX, ASMR, AI, AAC, Gamification and Storytelling on trenchpeople.com.

Copyright © 2021, E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Spontaneous Ode to COVID-19

Nothing

Nothing

Nothing
No pork
No meat
No GMO
No pesticides
No chemicals
No vegetables
No leather
No feathers
No farmers
No pickers
No corn
No food
No work
No prosperity
No friends
No groceries
No sugar
No fashion
No affection
No morgues
No burials
No speculators
No beauty
No makeup
No vanity
No vacations
No restaurants
No music
No movies
No sports
No theaters
No plays
No crowds
No police
No museums
No cable
No concerts
No chaff
No trough
No travel
No cars
No bars
No trucks
No brick
No mortar
No hospitals
No nurses
No doctors
No assistants
No parks
No prisoners
No tickets
No economy
No gouging
No lipstick
No hookups
No intimacy
No strangers
No kisses
No hugs
No love
No metro
No nursing homes
No taxis
No buses
No ventilators
No PPE
No toilet paper
No democracy
No capitalism
No money
No jealousy
No flossing
No vaccine
No schools
No blessings
No immigrants
No refugees
No freedom
No children
No churches
No humans
No handshakes
No greed
No gluttony
No gyms
God

Copyright © 2020 E Maria Shelton Speller

Artist Statement… Unfettered Birds (WIP)

Introduction

My work explores the relationship between what is real, and what is unreal.  With influences as diverse as Yukio Mishima’s Onnagata and 2001: A Space Odyssey.  Where words are illusory and freedom is real, and brick and mortar is a wasteland — for mortal dreams and nightmares.

Where categories don’t matter, and you are god… the god of your dreams.  My work is a journey – from the perspective of the young prince and princess in Hollywood, Dubai, the Great Caves, and Capote… Where freedom rings supreme and the fiction in your mind comes true — for real.

We launched Dreamscape in a glass cocoon — opaque me and transparent you.  Content is buried there — over black people, white people, red people, yellow people, brown people, rich people, poor people, and melancholy.  Inside pods power is fetish, and fashion is an avatar.  My work explores the freedom to be who we are — dreaming unfettered in space — birds…

 

TRENCHPEOPLE.COM

 

Copyright 2020 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Love Divine — Opens

 

PREMIUM CONTENT

 

Love Divine — Official Release Date

 

PREMIUM CONTENT

Luda’s Second Soliloquy — Miles Language II

If I could write language

that speaks and points….

At trumpets

when the moon is tone

and the sun is sfumato

 

See… the chiaroscuro Supreme

[dream in hue]

magenta, chrome, cherry-white

[mixed with blue fugue]

Put-the-night to sleep!

 

See Sisyphus scorn

at amber headlights

in Paris dew

 

Skin seeking skin

and birds seeking

[the flutter of feathers]

ink… that runs like blood

on paper… that does not bleed

 

Contrapposto poets

succumbing to peaches

 

Dogs… suspended

like meat in Seoul

 

[In the dawn]

She comes home

the moon is a beat

the sun is trill…

 

Dada responds

to Surrealism

Hip Hop responds

to R&B

 

[The trumpet responds]

to me

bebop bebop bebop bebop blam!

Fa Falala…

 

Copyright 2004, 2015 by E Maria Shelton Speller.  All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Inspired by Miles Davis’ Bitches Brew and Zurich Dadaist Hugo Ball who according to Arnason’s thesis on Ball’s conventional language “had no more place in poetry than the outworn human image in painting, Ball produced a chant of more or less melodic syllables without meaning:  ‘zimzim urallala zimzim zanzibar zimlalla zam.’ “

Luda’s Soliloquy — Miles Language I

If I could write a poem

with the language

of sound

strings, keys… lisps

 

Cylinders spheres cones… lines

Miles tripping

Turning turning in melody

 

Blowing brass trees

whispering through trim lips

white horses, white horses

Standing over Princes

 

Cries cries

Cry like a woman

whirling in

an eddy of tongue…

 

Words wedded together

Like brothers

Kidnapping daughters*

 

A mind fuck

A dark defining gaze…

 

Words you see in 4D

You smell reed

fingers tremble

skin riffs

 

Words with the sigh of a Diva

Mad Mad like

Zeus on a bad rape

 

When you look up from the page

You will not see me

 

Molesting you with crazed

language…

 

Copyright 2004, 2015  E Maria Shelton Speller

Peter Paul Rubens’ The Rape of the Daughters of Leucippus

Inspired by Miles Davis’ embouchure