Directing the Master Scene in the Mirror

 

We’re standing behind you

The window is your mirror

We‘re filming your reflections

 

In the window

You can see

The teardrop on her cheek

The other tear — is in your hair

Reach up and wipe the tear

 

With your thumb

Roll the tear on your fingers

As if water — is on the wings

of a butterfly_

 

Now, your face is dry

You point and say something

Insignificant like

“See that gas station down there.”

 

Copyright © 2018 E Maria Shelton Speller

 

 

Advertisements

Last Thirty Days on Top (Untreated Pin Impressions)*

*Note:  Prose Poem and Literary List (Prosody, Parataxis, Blank Verse, Free Verse, and Found Poetry) based on E Maria Shelton Speller Pinterest Analytics as of July 1, 2018, 10:00 PM (EST), for 15 Muse Boards and 5K Pins.  

 

Five Weak Words_

[Look at the smile on my face…] _

I’m not Shy_

Be bold_

[Woodstock! (WIP) {x Bars))) [Reserved][Reserved] 3.0]_

[It takes libido to pen poesy…]_

[Skylar – Look at that face… that stop…]_

Art_

Beautiful and vibrantly dyed locs_

Elizabeth Taylor RIP_

Georgia O’Keeffe_

So cool_

Kerry Washington_

[The [Dollhouse] with the Red Corvette]_

Madonna_

Ru Paul_

Madonna takes a look

London’s New Wavers Bow Wow Wow_

The Illustration of Hiller Goodspeed_

[An epic love Iliad]_

[Diana Ross (DR Diar)]_

[Nine Ball!]_

Dreadlock Tube Sock!_

Lightning_

Stare at this dot until you get an idea_

Paint_

The Miseducation of Lauryn Hill — 20th Anniversary Tour_

[Girl Band of STEMs]_

csmitty4u_

[Beautiful baby]_

[Savage Villain]_

Bar Code Alone_

Ocean’s Eight_

No Description_

Portrait of the Poet Kahlil Gibran_

Embedded_

Christine Lagarde_

Tracee Ellis Ross_

[Gladiator]_

Jouska_

“Deserve your Dream”  Paz_

[gladiator]_

Men — Personal Stylist_

Solange and Janelle Monae_

Aldous Huxley: Brave New World_

[the gladiators]_

Kate Spade’s — A Cocktail in her hand and Confetti in her hair_

[Yummy]_

Annie Leibovitz’ Gaze Nicole Kidman_

 

 

[Copyright] 2018 E Maria Shelton Speller

 

 

 

 

The [Dollhouse] with the Red Corvette

The [Dollhouse with the Red Corvette] is a lateral, vertical, linear, horizontal, and spherical art installation. It is a poesy puzzle for verse or graffiti, with sublime imagery. It functions like a mnemonic, a telltale pastiche for found poesy — in a digital world. Some of the pieces fit, and some are misfits — that lead to other immersions… in this stained-glass heaven — this society in the machine…

[][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]

Copyright © 2017, 2018 E Maria Shelton Speller. All rights reserved.

Woodstock! (WIP (x Bars)) [Reserved][Reserved] 3.0

Overture:  Woodstock is an ensemble.  There are two voices and the beat in this WIP… the Narrator’s voice, Hitchcock’s, and “That Yoni” by JuseBeats!  

 

In a walk through Whole Foods like Hitchcock

In his magnum opus

about a world… full of extras

in architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning and more — of her…

He wants

Beddo, Caprini, Dolce Sardo

Zufi, the Saperavi

He nods

I’m  thinking

Disappointed… in us!

[There’s no other way to say it — I can’t dress it up]

Caught between a slumbering scream and Vertigo

Cruising isles and isles of sweet and sour

People who think they are special

People who know they are not

People who wish they were

Impeccable

He wants

Beddo, Caprini, Dolce Sardo

Zufi, the Saperavi

Whispers prologue

Guess what we did?

A Springboard!

A party of twenty

Three couples played before

winking and willing

shills playing in the round

Lovely trips on the Hill

in augmented VR

I’m thinking…

Baby boomers had their turn Woodstock!

Barefoot bell bottomed hippies

Denim sweeping the ground

[Reserved]

[Reserved]

Revolutionary hair —  fists in the air

Dragging us back in the mud

Blunt antiquity

Move on Woodstock!

Take your shades, caps, change and loose articles

Bombs in black holes!

[Where did you go?]

We should be sunning in the Bahamas

chilling on hemp swings and

chairs swiveling in immersive environments

Higher than kite fights

A soaring for points experience

Get off the ride Woodstock!

You had your turn — at freedom

Thank you

Exit signs are easy to find — look

The dragon is in the window

Freedom is accessible

Wonder is a trip

with walk through assistants

Dreams of power and prizes

Optional…

Fall out and Jack into

a walk through Whole Foods like Hitchcock

in his magnum opus

about a world… full of extra

architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning — and more — of her… virtually surreal

He wants

Beddo, Caprini, Dolce Sardo

Zufi, the Saperavi

Whispers song

We don’t want to feel we’re high…

We just want to think we’re high

in Dubai

We don’t want to feel we’re high…

We just want to think we’re high

in Dubai

Copyright © 2016 E Maria Shelton Speller. All rights reserved.

 

I’ve toyed with a conundrum, for too long. [Reserved][Reserved] functions like a digital art installation in Woodstock! (WIP (x Bars)).  I could render [Reserved][Reserved] a mechanism – to catch That Yoni’s beat in perpetuity.  I could close the brackets with bars that fills your loins with blood.  I could leave redundant emptiness here — like tautology or romanticized art, or structural language — in this bifurcated space, like stars.

I could invite Poets to fill [Reserved][Reserved]

 

 

Woodstock! (WIP (x Bars)) [Reserved][Reserved]

 

Overture:  Woodstock is an ensemble.  There are two voices and the beat in this WIP… the Narrator’s voice, Hitchcock’s, and “That Yoni”.  See Side Bar by JuseBeats!  

Continue reading

[Reserved][Reserved] — An Invitation to Dine

Dear Poet, [Yes, you]

I’ve toyed with a conundrum, for too long. [Reserved][Reserved] functions like a digital art installation in Woodstock! (WIP (x Bars)).  I could render [Reserved][Reserved] a mechanism – to catch That Yoni’s beat in perpetuity.  I could close the brackets with bars that fills your loins with blood.  I could leave redundant emptiness here — like tautology or romanticized art, or structural language — in this bifurcated space, like stars.

I could invite Poets to fill [Reserved][Reserved] with dope poesy and select a date for submission. However, if we receive one hundred thousand and one couplings, we’d read them…  but frankly, why not do, all of the above.

The empty brackets function like missing endings now — lacking only your bylines, pseudonyms, and ghosts — in translatable bars that work in Woodstock! (WIP (x Bars)).

Poets make this space immersive.  Explode – The Writer’s Environment is an interactive environment — and this is the first foray for interactivity in this community — that links back to you!

Starting August 15, 2017 — let’s finish this poem with the best bars — curated for Woodstock! (WIP (x Bars)) here…  Bon appétit.

Cordially,

The Chelsea Hotel, Manhattan

PS:  No Spam — Balls in the air!  An experience for us and them.

Copyright © 2017 E Maria Shelton Speller

 

Girl Band of STEMs

my eyes

 

Girl Band of STEMs, is a lark, a careful ruse about a writer, who comments on her own stories. It is metafiction in a digital world. This, I would argue. The author writes a story about herself, writing a story about her Band, and the Band knows they’re in the story, about a story that interacts with you.  She writes a story, where her audience is her muse – may demand she change the ending, in an installation we build in space — for dreams, on a loop…

The Band asked me to write tags for my work. Tags!  But, opportunity or obstacle… the Muse is insatiable — until it works.  Poets know that tick, when everything becomes art – in a second glance. Woodstock, was absolute freestyle in a digital world. I worked on it for weeks… and wrote it Live one Saturday afternoon – five hundred revisions at least. Poets know that tick. I changed commas to periods and back again  – metaphors to imagery, slowed it down, sped it up. Reminisced. If you were there on that Saturday afternoon, Woodstock was a writer’s tick at work.   I wrote the hook on the 7th Street Bridge.  Installed [Reserved][Reserved] when I lost my way.  Found the beat, marked the spot, and then it looked like a digital art installation, in spite of the implications — for structural functionalism in space. But, my muse is pissed…

Tag: Woodstock.  A Band for Immersive Content.  A Woodstock Experience.

Tag:  Metafiction — [The Dollhouse] with the Red Corvette:  [Vous êtes contrarié parce que je suis sorti du lit. Ce n’était pas ce que tu imaginais – dans le film dans ta tête. Je ne peux pas aller aux toilettes, quitter la pièce ou fumer une cigarette. smh]

Tag:  Tagging Dystopia: [OdamnIwantedtheopportunitytocomefrommichelleO]

Tag:  Aristotle Michelangelo and Louis Picasso’s Parallel Discussions:  Come on baby.  All you have to do is dream — from the end of a pen.

Tag:  Luda’s Second Soliloquy — Miles Language II.  [Metaphor].

Tag:  [For The Purple One]

Tag: [The Life of Pie]  He thought/Big Blue was a deeper trip/Absurd space looked/Absurd from here/He looked around the virtual/And mad shouted/Who read the pieces first?/Anyone?/How did it ring?/How did it feel?/How did it resonate?/She said, I started at the slices/Chaos, straight out the gate/When Big Blue was just/The sky.

Tag:  Picasso The Bohemian (Les Demoiselles d’ Avignon) “…She told halcyon tales of life —  uninterrupted by death and chthonian sex — like the brazen whore in the fore — riding the fugitive cube — with the wasp waist and black aft — Eucharistic grapes, and the curl of the rind — pointing to glorious thighs — and with eyes in the back of her head — she watched the spectator off center… watching — Picasso The Bohemian — who lived in Barcelona — standing behind the curtain — wearing a mask

Tag: Explode [Am I awake, or are you a dream?]

Tag:  The Gaze (WIP)  I know I needed to stay in and listen to music like Paz did and avoid humans — he said, “To read a poem is to hear it with our eyes; to hear it is to see it with our ears.” Instead, I left my home and this is what happened…  Apparently, a new and poorly trained employee provided incorrect information over the phone.  Consequently, I arrived unprepared, and had to return to my vehicle. Because, I had to return to my vehicle (in the rain) parked around the corner — I ultimately, received a ticket for expired meter!  A ticket.  What should have been a $26 transaction is now $76 in this crowded, greedy — unimaginative city!

Tag:  Directing the Master Scene in the Mirror.  It’s impossible to write poetry, without libido.  Without libido, there’s no passion and without passion, there’s no pluck.

 

Black Marnie

Looked like [Mardou Fox]

through Kerouac’s eyes_

Remember… those puffy lips?

Yakuza found her in Tokyo

and lost her — in the Philippines….

 

[Wait… There’s a surprise at the end]_

 

 

Copyright © 2017, 2018 E Maria Shelton Speller  All rights reserved.

Update #1: Super News! Explode – The Writer’s Environment is a Summer, Fall and Winter Experiential Network (XN) Project Sponsor — for Northeastern University!

It is my pleasure to introduce Yingqian “Selina” Jiang. Ms. Jiang is the NU XN Winter Term student for Explode – The Writer’s Environment! Selina, MS in Project Management with a concentration in Finance, and MS in Informatics – graduates this fall. Her academic projects include the Peking University Science and Engineering Building, the Movable Sidewalk for Logan Airport Terminal E, and the Casino in Mashpee. She is also a volunteer for the Japan Festival Boston Committee and the Mulan Non-profit Organization.

Ms. Jiang would like to conduct Voices of the Customer (VoC), or surveys if you will, to inform the project completion and launch of Explode – This Writer’s Environment in March 2017!

The XN survey would gather feedback on your experience and expectations for Explode, and should take no more than 4-5 minutes. Be assured all answers you provide will be kept in the strictest confidentiality.

Your voices are a critical component for the successful launch of the writer’s environment. With much gratitude and appreciation, please take this opportunity to participate in the survey, and join me in welcoming Ms. Jiang to the writer’s environment!

Dada — Lost and Found — Triptych

 

Doing nothing

and falling

down the same rabbit hole

I would be nosey

like numbers on analytics

Floating lollipops and gummy bears

 

Copyright 2016 E Maria Shelton Speller.  All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

On the 48th year since the assassination of Rev. Dr. Martin Luther King, Jr. — the language for this mash-up, was for the revolutionary icon.

Happy Holidays Poets! Played Like a Diptych — A Triptych…

 

She gets played like a Diptych – in a Triptych…

Happy Holidays Poets!

by E Maria Shelton Speller

It happened at a Springboard Party…  She barely glanced at me.  Looked at my woman like…   Her locs were in a ponytail — they have to be down her fucking back… when our friends shouted at the screen, “The Screening Room.  The furthest found.”

Copyright 2015, 2016 by E Maria Shelton Speller.  All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

 

 

Luda’s Second Soliloquy — Miles Language II

If I could write language

that speaks and points….

At trumpets

when the moon is tone

and the sun is sfumato

 

See… the chiaroscuro Supreme

[dream in hue]

magenta, chrome, cherry-white

[mixed with blue fugue]

Put-the-night to sleep!

 

See Sisyphus scorn

at amber headlights

in Paris dew

 

Skin seeking skin

and birds seeking

[the flutter of feathers]

ink… that runs like blood

on paper… that does not bleed

 

Contrapposto poets

succumbing to peaches

 

Dogs… suspended

like meat in Seoul

 

[In the dawn]

She comes home

the moon is a beat

the sun is trill…

 

Dada responds

to Surrealism

Hip Hop responds

to R&B

 

[The trumpet responds]

to me

bebop bebop bebop bebop blam!

Fa Falala…

 

Copyright 2004, 2015 by E Maria Shelton Speller.  All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Inspired by Miles Davis’ Bitches Brew and Zurich Dadaist Hugo Ball who according to Arnason’s thesis on Ball’s conventional language “had no more place in poetry than the outworn human image in painting, Ball produced a chant of more or less melodic syllables without meaning:  ‘zimzim urallala zimzim zanzibar zimlalla zam.’ “

Luda’s Soliloquy — Miles Language I

If I could write a poem

with the language

of sound

strings, keys… lisps

 

Cylinders spheres cones… lines

Miles tripping

Turning turning in melody

 

Blowing brass trees

whispering through trim lips

white horses, white horses

Standing over Princes

 

Cries cries

Cry like a woman

whirling in

an eddy of tongue…

 

Words wedded together

Like brothers

Kidnapping daughters*

 

A mind fuck

A dark defining gaze…

 

Words you see in 4D

You smell reed

fingers tremble

skin riffs

 

Words with the sigh of a Diva

Mad Mad like

Zeus on a bad rape

 

When you look up from the page

You will not see me

 

Molesting you with crazed

language…

 

Copyright 2004, 2015  E Maria Shelton Speller

Peter Paul Rubens’ The Rape of the Daughters of Leucippus

Inspired by Miles Davis’ embouchure