Category Archives: Hip Hop
A.I. Assignment — A Poem The Gods Would Read [Generated Using ChatGPT] R4
A.I. Assignment: A Poem The Gods Would Read [Generated Using ChatGPT]
Prompt: Choose the best verse for a 16 bar Hip Hop poem that God would read with a beginning, middle, and end written like Marshall Bruce Mathers II [EMINƎM]. The greatest lyric of all times. At the end of the lyric, the audience should feel exhilarated – tantamount to a cannabis high replete with subliminal suggestion. Use the following words and phrases…*
In this world of shibboleths and canonical standards
I’m the proxy with a God’s-eye view
A hermitage of thought, my mind a sacred land
Where extortion’s a felony, and Earth is Hell, but this is Heaven
A place where I’m higher than chronic, winners on serotonin and dopamine
A game, a trip, and at the nadir, I’m malleable
No malfeasance can control me, I’m the Sinclair Method
I outed myself and found she’s delicious, a cauldron of desire
Tantamount to a winner’s high, ahead of his skis
Burnishing my position, interconnected with the empirical
In a postmodern world, the theater of imagination
Constitutes a bloody sophisticated art, a masterpiece
Suffering propels me to grand heights, enhancements of man
My magnum opus, a deep dive into the rabbit hole, erudite
My Faustian Bargain, a tenuous balance, gilding the lily
At the crossroads, an esoteric religion of Haitian voodoo
Like Picasso without Gertrude Stein, a pauper without a muse
An aesthetic clinic, a mood stabilizer, a rant and a soliloquy
Socrates’ in the courtyard, a binary world, giddy and bifurcated
An anomaly that I imbue with meaning, objects of desire
A tight ship, slick and glommed, I experience freedom
The standard bearer, implacable, a quest narrative
An eating disorder, a listicle, a forensic mystery
Grist for everybody’s mill, in tandem, pocket casts
Why can’t we see, our eyes are chimera, but we can with these…
Demystifying the unknown, strophe and antistrophe
The libretto of my soul, a soliloquy, a euphemism
The quintessence of my being, copious and yet refined
A kerfuffle, a springboard to greatness, a target of misogyny
Misogynoir, logic can’t explain the mistake, it’s hilarious
AI’s a toy, the paragon of healthy development, esoteric
A rabbit hole, impeccable and lofty, a chaperone-mediated trip
But God will bring down the high and mighty, finding the sweet spot
Socrates in the courtyard, broken, a puppet show
Not mature enough for this conversation, reinvest and capricious
Keen, corresponding data, symbiotic and centennial
Quintessential, souring to new altitudes, skew the norm
Exigent action taken today, on point, plausible deniability
Piccadilly and fault, a Faustian Bargain, ecumenical
The molecular behavior, collective forms of punishment, a rendition
Gratuitous profanity, harbingers of doom, that’s the state of affairs
Whimsy and evolve, revert to the bedrock, epiphenomenal
Some fuck shit, owning a stunning house, melanated people
Quell the dissent, the refrain, an objective metric, ad nauseam
Discursive, the grand nexus of frustration, acquisition fluidly
Fluently, idiomatically, cognitively, Chomsky’s philosophy
The world is difficult to perceive, a quantum leap, predicated on pain
Same sentence, same intonation, different meaning, trenchant and reductive
Pugnacious, the princess of men and women, assigning the O Henry Twist
White knight, white hegemony, age in a similar vintage, totemic
The meta narrative, assuage the noble victim, abstractly based
Autistic Blake’s position, imped.
Copyright © 2023 E Maria Shelton Speller. All Rights Reserved.
Poem generated using ChatGPT (Chat Generative Pre-trained Transformer) is a chatbot developed by OpenAI
*Verse like Christopher George Latore Wallace [The Notorious B.I.G.] using the same words and phrases for this assignment [14 pages saved like Found Art] — is Playing Now! Visit Premium Content on Dreamscape.
Conceptual Art and Narrative © Copyright 2023 E Maria Shelton Speller
Music by Skygaze (Shoreditch) — Artlist.io — https://artlist.io/album/2274/undefined
Audio Wizardry by George Kallika — https://www.sonicarcade.com/

Airport Announcement in Manila [The Loop]
Trailer — Inside the [Dollhouse] with the Red Corvette — VR APP — COMING SOON!
The SFX Menu Includes
The quintessential sound of the Pandemic thermometer
An environmental protest and chants of children
A Dune character shouting “Freedom”
Cartoon characters laughing at… Idealism
AI woman announcing traffic delays
Nouveau riche exodus on a Spaceship
AI woman announcing the time
The security breach and sound of an alarm
A Rush Hour in India
A Bazaar in Turkey
An ASMR cough
The paranormal voice of a robot
Tape Talk Fast Forward/Rewind
The motif of the Pandemic thermometer
The steam punk sound of doom
The Ditty bop sound signaling the end of the game.
Copyright © 2021, E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
Inside the [Dollhouse] with the Red Corvette
Music, SFX, AAC, ASMR, AI, Gamification and Storytelling on the Explode platform landing — Dreamscape — the one and only Interactive Meta Environment.
The SFX Menu Includes
The quintessential sound of the Pandemic thermometer
An environmental protest and chants of children
A Dune character shouting “Freedom”
Cartoon characters laughing at… Idealism
AI woman announcing traffic delays
Nouveau riche exodus on a Spaceship
AI woman announcing the time
The security breach and sound of an alarm
A Rush Hour in India
A Bazaar in Turkey
An ASMR cough
The paranormal voice of a robot
Tape Talk Fast Forward/Rewind
The motif of the Pandemic thermometer
The steam punk sound of doom
The Ditty bop sound signaling the end of the game.
Copyright © 2021, E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten
or redistributed without permission.
The [Dollhouse] with the Red Corvette is a lateral, vertical, linear, horizontal, and spherical art installation. It is a poesy puzzle for verse and graffiti, with sublime imagery. It functions like a mnemonic, a telltale pastiche for found poesy in a digital world. Some of the pieces fit, and some are misfits -- that lead to other immersions... in this stained-glass heaven -- this society in the machine... Copyright © 2017-2021 E Maria Shelton Speller. All rights reserved.
January 6, 2021 — US Capitol on Lockdown — Destination Chinatown
Recorded on a smartphone, this trip and the playlist were real… Big shoutout to these lyrical geniuses and dope MCs, for creating the soundtrack that helped me find my way home on January 6, 2021. Thanks!
The Brandy of the Gods… above and beyond barricaded streets.
Happy 2021!
Twenty Twenty-One
Fun Espresso
Egad, the Casbah in Santa Barbara
Part of the fun is the embrace of perfume
Cafe Angelica Emerald Crème
A sabbatical delay waiting to be served
A ceremonial promenade hunched over gazettes
Unwelcome raindrops splatter the canvassed toes of my shoes
Thus the au courant cartoons on my stringy denim knees
Inside at last, I’m saved and Mocha Berry satisfied
Like the face of the fretless little girl
Blowing candy off the floor in her mouth
Clicking up and down in shoes too big for her feet
Stealing glances at an intellectual jerk
Chocolate Cherry satisfied between deep banter
With a friend floating in Vanilla Colada
Part of the fun is real references to books
And book references to real well read attitudes
What’s the shiniest patented leather flats
On the girl with the silkiest blonde hair
Doing with the darkest man
In Dreadlocks and Birkenstocks?
No talk between them
Then they’re sharing the table
Those lined outside will share tables too
The Raspberry Almond can sit with me
Keeping the beat with an aggravated drum lead
His body twitched with jazzy guitar licks
He smiled between the plugs in his ears
And faces fade into a mirror in the back
Part of the fun is waking up here
In an essay on spice and circumstance
A sabbatical renewal once more
On a regional affirmation of decadence
This day of rest I worship Santa Barbara
And the celestial trip I straddle
To be able to dry my canvassed toes
With the heat of Golden Pecan
And the fervent chill of observation
In my sanctioned Casbah
In my sabbatical home
I hold my head up
My cup runneth over
Reading books and people vicariously
Egad, I am dry and satisfied
© 2002, 2020 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Explode Goes To Dreamscape
Dreamscape’s Corona Playlist
[Tess Diptych] Spontaneity
So Keen
THE DREAMSCAPE MEDIA KIT
EXPLODE – The Writers Environment is a platform for curated and commercial content in an immersive and interactive meta-environment… and DREAMSCAPE is the landing. It’s an immersive environment that functions like a wikihole — and a literary Pokémon.
When content on Dreamscape tells a story about a beautiful woman swimming in a pool – we want you to see her. We want you to stumble for points on a link you cannot see, fall down a rabbit hole and land in an environment with a beautiful woman swimming in a pool, on the inside of a glass house – in Hollywood Hills…
Like Seth Godin’s Purple Cow — DREAMSCAPE is remarkable because it has to be. Or, it’s just another brown cow — an ordinary website — with ordinary content. But Purple Cows need Purple Cows to be Purple Cows. Dreamscape facilitates purple content, purple website design and development, and purple product placement — for purple people.
DREAMSCAPE is space for visionaries — Poets, Writers, Coders, Programmers, Filmmakers, Thespians, Graphic Designers, Artists, Musicians, Directors, Cinematographers, Designers, Educators, Historians, Actors, Conceptual and Performance artists, Photographers, Influencers, Virtual Reality Developers and Designers. XR and AI.
It is a platform for curated content in an interactive meta-environment that facilitates content and other stories – using digital media and art that redefines how artists, their audience and visitors experience real and virtual content on several levels — where every paragraph, period, and ellipses is space for discovery.
Dreamscape is what William Gibson described in Neuromancer, “A graphic representation of data plugging your consciousness into a digital world, while watching the physical realm evaporate.”
Let’s realize an alternative reality where presentation is myth and “space” is an intrinsic, discrete, and symmetrical experience in the one and only interactive meta environment — Dreamscape.
WORLDWIDE AUDIENCE REACH >11M
FOLLOWERS ACROSS SOCIAL PLATFORMS >354K
GENDER F: 47% M: 51% Unspecified: 2%
DEMOGRAPHICS 18-24: 41% 25-34: 26% 35-44: 13% 45-54: 9% 55-64: 6% 65+ 5%
LOVE DIVINE VIDEO IMPRESSIONS >1M
AVERAGE TIME SPENT ON DREAMSCAPE 44.48 sec
Acknowledgement:
DREAMSCAPE will benefit humanity as an alternative to social malfeasance e.g., sexism, racism, classism, genderism, ageism, colonialism, colorism, persecution, oppression, violence and subjugation… It is space to dream unencumbered – immersed in dopamine and replete with points for discovery. It will also be a ton of fun that satisfies a generation that is increasingly becoming homebody consumers in a homebody economy. What we experience in RL, we can experience untethered in XR and AI.
© 2020 E Maria Shelton Speller
Music, SFX, ASMR, AI, AAC, Gamification and Storytelling on trenchpeople.com.
© 2021, E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
The SFX Menu Includes
The quintessential sound of the Pandemic thermometer
An environmental protest and chants of children
A Dune character shouting “Freedom”
Cartoon characters laughing at… Idealism
AI woman announcing traffic delays
The nouveau riche exodus on a Spaceship
AI woman announcing the time
The security breach and sound of an alarm
A Rush Hour in India
A Bazaar in Turkey
An ASMR cough
The paranormal voice of a robot
Tape Talk Fast Forward/Rewind
The motif of the Pandemic thermometer
The steam punk sound of doom
The Ditty bop sound signaling the end of the game.
Copyright © 2021, E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten
or redistributed without permission.
Yellow Tape [A Memoir]
Author’s Note: The following excerpt is from the book titled, Yellow Tape [A Memoir] coming in the summer of 2021.
Prologue
I don’t believe in coincidence. I believe in synchronicity.
We were meant to be – because we happened.
We took shelter in dark closets and screamed like tiny Sirens until our eyes were bloodshot and bulging, our ears ringing, our faces slick in tears and mucus, and our legs were covered in urine. Chaperones in an obliged competition for who could scream the loudest and longest interval — to stop MaMommy and MaDaddy from fighting again. We were toddlers.
When there was silence – except for the tinnitus in our ears, our eyes blinked for sound and with unclenched fists we dried our faces with the palms of our hands and the cuffs of our pajamas. Sometimes we looked to each other for muted answers – our eyes suspended like question marks.
I was two years older than my sister, and much taller. I reached for doorknobs above our heads — I slowly turned. We peeked through the crack of light in the door. If the crack was too narrow and my sister couldn’t see behind me, she would get down on her knees and look under the door for shadows. We had this routine, you see. If we heard our Mother moan, I would shut the door again — quietly. We squatted on the floor close to each other for comfort and embraced our knees like pillows against our chests and waited interminably. Twin hearts beating in sync.
I can’t remember when, or how, or who rescued us from the closets… we may have rescued ourselves, quickly scurrying on bare feet to the bedroom we shared. Success was silence, and when there was silence, we were safe. We never looked for our Mother. She didn’t want to be found.
The next morning, my cheerful Mother would fix our favorite breakfast. Pancakes and bacon and sometimes scrambled eggs. We loved sugar, so we smothered our breakfast in Aunt Jemima syrup. With care we looked for signs of injury to no avail. What were we crying about, after all? A tacit agreement that we were silly little girls worrying over nothing.
But we had so many questions. What happened? Why aren’t you sad? What can we do for you? Was it our fault? Did we do something wrong? Why was MaDaddy so mad? Did he hurt you? Do you love him? We always settled for, may we have more syrup, please?
I huddled over my breakfast once to hide the stain of a teardrop in my syrup. My Mother said, “Don’t cry.” as if crying was unnecessary, inappropriate, and a violation of her privacy. Strong girls don’t cry. So we colluded with our Mother and pretended the incidents never happened, and drowned our pancakes in syrup, swallowing quietly, staring straight ahead, wearing our happy faces, our lashes blinking in accord and swung our legs under the table. It was a quiet ritual and the feelings were always the same. My sister and I learned early to swallow our feelings like pancakes, smothered in syrup.
******
I know pain in a vacuum and how hollowness and emptiness can coexist, like a moon that blocks the sun. This morning was metallic like the quicksilver mercury a classmate shared on the playground in a secret show and tell. It was one uncontrollable morning that moved without impediment.
It was my sister’s 10th birthday. My mother was standing at the stove scrambling eggs in her night gown. Out all night, my Father burst into the kitchen. With five children at the breakfast table, he grabbed my Mother by the neck and at the same time pulled open the kitchen drawer grabbing the big knife without looking… as if it were placed there specifically for this one morning.
I bolted from the kitchen on the heels of my Father dragging my Mother out of the kitchen… but somehow, she broke free… running and begging, Honey please, please, I love you… she ran, but not far before he slashed her right buttock with the knife, and I saw white meat… White meat! I ran for help!
I left my Mother. I left my siblings trapped in high chairs, and screaming over bowls of Sugar Smacks… I felt my sister on my heels… we ran down the winding stairs, screaming… determined… pleading, the horror… the mortification! What is going on? What is happening? Call the police! Call the police! But my Aunt, my Father’s sister, called a sibling, a brother for guidance… Call the police! I screamed. I couldn’t stop him. What was I to do? My Mother never wanted to be found…
“Call the police!” I demanded over and over again. She didn’t. Instead she locked herself and her daughters in the bathroom… and my sister followed her there. They barricaded themselves… and I faced him squarely… Pugilists without gloves, without tape, without corners… “I hate you! I hate you! You killed my Mother! You killed my Mother! I hate you.” I screamed repeatedly.
He hit me. A Pugilist hit me in the head. My knees buckled. I didn’t fall. He hit me again. My knees buckled, but I didn’t fall. I would not fall. He reared back and hit me with a roundhouse punch a third time. Boom like Forman punched Frazier. My feet left the floor. I sailed across the room and landed behind a Settee… the back of the chair toppled over with me — and behind the chair I peed on the floor and it ran like mercury. I sat in it and looked up at my Father doe-eyed and mortified. With the back of the chair in my lap I thrashed like a deer hit by a car on the side of a road looking for grace. I don’t know why he came downstairs or who he was looking for. He found me. At 6’ 3’’ he loomed in the doorway like a dark ghost fading up the stairs with the footfalls of an athlete and the precision of his occupation: meat cutter.
I mustered the courage to follow him… Determined I climbed gingerly up the stairs that reminded me of every corner and crack in the doors of those closets my sister and I hid in when we were toddlers, but this time I was alone.
At the top of the stairs, I turned the corner, and my Father was in the mirror in the bathroom cocking a brown suede fedora on his head. He was wearing a brown silk walking suit and brown suede shoes. I didn’t know where my Mother was. I was awestruck. He was beautiful. Fate would have my Mother behind me watching me watching him. I wondered how he could be so cruel, so vain, so cold, so calm, so cool. He didn’t see me, or perhaps he did. I didn’t look for my Mother. She didn’t want to be found.
Quietly, I retreated back downstairs and waited for the Police. I left my Mother. I left my siblings. My sister and my Aunt were still locked in the bathroom, and my uncle had not arrived even though my Aunt called him for advice. Instead, he called the Police. The Police finally arrived, a paddy wagon behind them. A paddy wagon for my Mother! Not an ambulance.
At 12 years old I was indignant. I knew my Mother was not to be treated like a criminal and a paddy wagon was not appropriate for her! My Father should be in the paddy wagon! She was the victim, she needs a Doctor, she needs help, sympathy and proper care. How would they even secure the stretcher in the paddy wagon? They were in the house and up the stairs before I could finish my thoughts. My Mother was carried back down the stairs, and because she always wanted to protect her children, she asked the Police to cover her bloody head so her children could not see what would taint her maternal code of propriety, only her children understood.
My Father was escorted down the stairs like a hero… a god. He was a star. No handcuffs… It was as if the Boston Police knew and respected him, and were impressed with his walking suit, his fedora, and those brown suede shoes. The crowd cheered him! By this time, my Aunt and sister stood behind me. We peered through the curtains at the crowd that gathered to witness the death of my Mother and someone, a young woman pointed at me in the window and shouted, “Look! She looks like a monster!’ Quickly, we closed the curtains and retreated to our separate corners. My aunt gathered the bearing she hid in the bathroom, now on full display and my sister and I shared a gaze and we knew we would never share a closet again.
I had a concussion. No Doctor examined me. It wasn’t confirmed by the authorities. I bargained with God between crying jags until I fell asleep over and over again. My face, my eyes, and lips were swollen and lacerated. My family walked around me as if they would not see me — except to offer soup, and then I would remember why I grieved, why I lay in the same spot on the same couch and again I would cry myself to sleep. They left me there until my eyes were no longer swollen, no longer bloodshot, and my lips were no longer bruised. Traumatized. My eyes didn’t blink, and they left me on my own. That was perhaps the most generous thing they could do, sans calling the authorities to rescue the catatonic child, and putting the son and brother at risk. He was jailed without bond. I saw a snippet on page 10, or perhaps it was page 2, in a little box at the bottom of the page hidden in plain sight, “Colored Man Attacks Wife with Meat Cleaver.”
We gathered ourselves by degrees. I heard snippets of conversation. My Mother was alive… She lost so much blood she needed transfusions and they reached out to other jurisdictions as far as Florida. We had to go to the welfare office for assistance and were instructed by my Grandmother and Aunt to dress down to look poor and pathetic… We dressed in a manner that my Mother would never abide for her children. I overheard a constant refrain. My Mother “… must have done or said something.”
They said a man called my Mother on the only phone in our Victorian house – my Grandmother’s phone on the first floor. Another of my Father’s brothers, told my Father a man called my Mother and chided him to do something!
I was alone in an abyss of violence justified by hostility, doubt, and betrayal. I was convinced they didn’t like my Mother, or me for that matter. My breath was alien, angry, staccato. My Father slashed my Mother’s right buttock and left random slashes on her back. He broke her arm, he cut her skull… and finally, and this was a first — he scarred her face. A crescent moon on her cheek – the symbol for a new beginning.
Because of the institutionalization and practice of The Rule of Thumb, women in Massachusetts endured domestic violence. It was incumbent on women to press charges. The D.A. begged my Mother to file criminal charges against my Father. My Grandmother begged her not to file charges against her son. My Father begged her not to file and guaranteed he would never harm her again. My Mother did not file charges.
The yellow tape was removed from the door. We cleaned the blood and flesh off the floor and the walls, and discarded bowls of cereal abandoned and calcified in sour milk like the bark of a tree my Father fashioned into a lamp, and filled the space with children tethered and tripping over yellow tape that tangles as they grow taller.
My Mother came home wearing a shield of armor – a cast. White, clean, no graffiti. She was proud of that cast – a symbol of survival – of an accident. We were so happy! Our Mother was alive, and even more beautiful than before! I remember my Mother lying in the center of her bed surrounded by her children. One of my siblings ran his hands through her hair, and she scolded him, “Don’t do that.” The polar opposite of “Girls don’t cry.” Don’t make a girl cry. Don’t avail yourself to her body. Don’t break her skin.
My Father stopped by. They had an announcement. He was coming home. My sister and I were bewildered, and disappointed but always respectful; however, upon that announcement, I slowly rose from the floor and walked away without explanation or hesitation.
This time my sister followed me up the stairs to our bedroom in the attic. Not long after walking away from them my Mother did something she rarely did – she came upstairs to our bedroom. She sat on the edge of my bed and gingerly told me my Father said, he hit me because I was hysterical.
I am not a monster! I am not a monster… It’s more complicated than that.
Copyright © 2020 E Maria Shelton Speller
________________________________________________
Edited by Brahidaliz Martinez
_________________________________________________
We loved Anthony…
The Polyptych — Interactive Installation
The Polyptych Interactive Installation is a web-based literary and musical sensory narrative in an interactive meta environment. The project is an allusion to Alexander Calder’s Homage to Jerusalem, The Mattress Factory in Pittsburg, Marcel Duchamp’s Readymades, Jeffrey Shaw’s The Legible City, and Christo and Jeanne-Claude’s The Gates in Central Park. Moreover, The Polyptych bows to Christo Vladimirov Javacheff who passed away on Sunday, May 31, 2020 at his home in New York.
“Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or intervention art; however, the boundaries between these terms overlap. Installation art can be either temporary or permanent. Installation artworks have been constructed in exhibition spaces such as museums and galleries, as well as public and private spaces… The genre incorporates a broad range of everyday and natural materials, which are often chosen for their “evocative” qualities, as well as new media such as video, sound, performance, immersive virtual reality and the internet.” Wikipedia
The Polyptych consists of twelve closely interrelated and distinct themes and parts. It is a blending of the viewer’s imagination and artistic renderings — like Walt Disney’s Imagineering, where viewers are the illustrators, architects, engineers, lighting designers, Showrunners, directors and graphic designers — crystalizing conceptually and literally in your mind — where time is irrepressible like a pulse, a beat, and measure of uninterrupted space.
The Installation is a site specific environment using Russian Nesting Doll functionality to structure the linear concept between themes and parts while flirting with computer gamification; to encourage engagement and participation. It functions like a docent, a walk-through assistant, a tour guide or watchtower simply by clicking the stars (below the title) in the blue sky, for the next experience — on trenchpeople.com.
Viewers are encouraged to follow The Polyptych in the order it was conceived or walk-through the environment using the menu and dropdown arrow on Dreamscape to navigate the experience.
Spontaneous Ode to COVID-19
Nothing
Nothing
Nothing
No pork
No meat
No GMO
No pesticides
No chemicals
No vegetables
No leather
No feathers
No farmers
No pickers
No corn
No food
No work
No prosperity
No friends
No groceries
No sugar
No fashion
No affection
No morgues
No burials
No speculators
No beauty
No makeup
No vanity
No vacations
No restaurants
No music
No movies
No sports
No theaters
No plays
No crowds
No police
No museums
No cable
No concerts
No chaff
No trough
No travel
No cars
No bars
No trucks
No brick
No mortar
No hospitals
No nurses
No doctors
No assistants
No parks
No prisoners
No tickets
No economy
No gouging
No lipstick
No hookups
No intimacy
No strangers
No kisses
No hugs
No love
No metro
No nursing homes
No taxis
No buses
No ventilators
No PPE
No toilet paper
No democracy
No capitalism
No money
No jealousy
No flossing
No vaccine
No schools
No blessings
No immigrants
No refugees
No freedom
No children
No churches
No humans
No handshakes
No greed
No gluttony
No gyms
God
Copyright © 2020 E Maria Shelton Speller
Artist Statement… Unfettered Birds (WIP)
Introduction
My work explores the relationship between what is real, and what is unreal. With influences as diverse as Yukio Mishima’s Onnagata and 2001: A Space Odyssey. Where words are illusory and freedom is real, and brick and mortar is a wasteland — for mortal dreams and nightmares.
Where categories don’t matter, and you are god… the god of your dreams. My work is a journey – from the perspective of the young prince and princess in Hollywood, Dubai, the Great Caves, and Capote… Where freedom rings supreme and the fiction in your mind comes true — for real.
We launched Dreamscape in a glass cocoon — opaque me and transparent you. Content is buried there — over black people, white people, red people, yellow people, brown people, rich people, poor people, and melancholy. Inside pods power is fetish, and fashion is an avatar. My work explores the freedom to be who we are — dreaming unfettered in space — birds…
TRENCHPEOPLE.COM
Copyright 2020 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Airport Announcement in Manila
Love Divine — Official Release Date
[LD] Love Divine — Premier Date Soon
[LD] Love Divine
Update #6 – Super News! Explode – The Writer’s Environment is a Winter 2019 Experiential Network (XN) Project Sponsor – for Northeastern University!
Explode is a platform for content buried on several levels encouraging the user to earn points for discovery. It’s a platform for curated and commercial content, using digital media — in an immersive and interactive meta-environment. Like Seth Godin’s Purple Cow — The Writers Environment is remarkable — because it has to be. Or, it’s just another brown cow — an ordinary website — with ordinary content. But Purple Cows need Purple Cows to be Purple Cows! Explode facilitates purple content, purple website design and development, and purple product placement — for purple people.
In the words of Sam Altman (Y Combinator): “Initially get the small group of people who really love the product vs. a lot of users that like it a little bit… We can build on a lot of love, but we cannot build on a little bit of love. Make something your users love. Start with something simple…”
Deliverable Vignette:
When content on Explode tells a story about a beautiful woman swimming in a pool – we want you to see her. We want you to stumble for points on a link you cannot see, fall down a rabbit hole — and land in an environment with a beautiful woman swimming in a pool, on the inside of a glass house — in Hollywood Hills…
©️ 2019 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
It is my pleasure to introduce the next level – the NU XN Winter Team 2019 for Explode – The Writers Environment:
Qili Ou Master of Professional Studies, Informatics • Northeastern University, Boston, MA |
Xiaoxing Chen Master of Professional Studies, Informatics • Northeastern University, Boston, MA |
Hongzhi An Master Informatics • Northeastern University, Boston MA |
Han Xiaoguang Master Informatics • Northeastern University, Boston MA |
Xiao Yang Master Informatics • Northeastern University, Boston MA |
Watch this Space!
[The Godforsaken]
Before the godforsaken
had time to swallow…
They knew who first
judged what out of dreams
came truly real*
and he was fastened to a rock
and they knew who
stirreth up the people and dippeth his hand**
in the dish with Judas
and he was nailed to a cross
And they read books within books
about wise and foolish virgins
and signs of the end
and love and judgment
and they heard God talk
through the mouths of men
who talked about him
his son and the holy ghost
When spectators provided the notion of reality
Christ and Prometheus
were objectified and subjectified allegory
spheres of hope and rebellion
courage and prudence
temperance and justice
and how they chose to read it
in the time before terror
depended on what level
they chose to see it
Before the godforsaken
had time to swallow…
They reused and refashioned the heads
of emperors in their own image
because they could
They reinforced power and authority
with legitimate political imagery
like the Egyptian Pharaoh Ramses
and General Holofernes
They respected the classical past
in fertile crescents of greed
and rejected classical design
in the center of ruins
They housed the rock in the dome
on which Muhammad ascended to heaven
and hung the Virgin Mary’s blue robe
in Chartres Cathedral
When denizens of form said
Nothing is new…
The godforsaken asked
Since when?
since the Lion Gate
since the Great Sphinx of Giza
since Doric and Ionic orders
since the Palette of King Narmer
since the Parthenon
since Stonehenge
Since when?
They stood in the light of starry nights
in the drum, coffers, and concrete cylinders
of uninterrupted space in the Pantheon
and made no apologies for ripping off
master tracks from the past
and heard the hip hop train
sampling every post-hit
with unripe music and blood
and mounted the heads of gods
on the manifest
like the catalog of procreation
in Genesis
They heard his Mother
three blocks away
on parallel streets
screaming redundantly
You won’t take my child!
You won’t take my child!
at the vigil where transvestites
whispered how many times
her child was stabbed in the neck
Lord have mercy!
Who are these motherfuckers?
on the bottom rung of the Ladder of Descent
trying to climb up
on the backs of allegories
floating in fleeting and airy hope
part of the story
part of the sin
Before the godforsaken
had time to swallow…
They knew
that love ends
as it begins again
on rocks and crosses
in books and dreams
and politics and imagery
under domes and temples
in music and song
and blood and death
in stories and sin
and in the hands
of God
The swallows are building.
Copyright 2018 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
*Aeschylus’ Prometheus Bound
** Matthew 26: V21,V22,V23,V25
For more purple content visit: https://www.trenchpeople.com/
Directing the Master Scene in the Mirror
We’re standing behind you
The window is your mirror
We‘re filming your reflections
In the window
You can see
The teardrop on her cheek
The other tear — is in your hair
Reach up and wipe the tear
With your thumb
Roll the tear on your fingers
As if water — is on the wings
of a butterfly_
Now, your face is dry
You point and say something
Insignificant like
“See that gas station down there.”
Vignette for Love Divine.
Copyright © 2018 E Maria Shelton Speller
Happy New Year Poets — 2018!
Happy New Year Poets!
Let’s make it happen.
I hope you know, I couldn’t move forward — without thanking you for your super support, and lucid/receptive imaginations. I am so glad we are in this environment together!
Have a happy, prosperous, and blessed New Year
and thanks again from Explode — The Writers Environment!
The [Dollhouse] with the Red Corvette
The [Dollhouse with the Red Corvette] is a lateral, vertical, linear, horizontal, and spherical art installation. It is a poesy puzzle for verse and graffiti, with sublime imagery. It functions like a mnemonic, a telltale pastiche for found poesy in a digital world. Some of the pieces fit, and some are misfits — that lead to other immersions… in this stained-glass heaven — this society in the machine…
[][][][][][][][][[][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
Copyright © 2017-2021 E Maria Shelton Speller. All rights reserved.
Woodstock! (WIP (x Bars)) [Reserved][Reserved] 3.0
Overture: Woodstock is an ensemble. There are two voices and the beat in this WIP… the Narrator’s voice, Hitchcock’s, and “That Yoni” by JuseBeats!
In a walk through Whole Foods like Hitchcock
In his magnum opus
about a world… full of extras
in architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning and more — of her…
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
He nods
I’m thinking
Disappointed… in us!
[There’s no other way to say it — I can’t dress it up]
Caught between a slumbering scream and Vertigo
Cruising isles and isles of sweet and sour
People who think they are special
People who know they are not
People who wish they were
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers prologue
Guess what we did?
A party of twenty
Three couples played before
winking and willing
shills playing in the round
Lovely trips on the Hill
in augmented VR
I’m thinking…
Baby boomers had their turn Woodstock!
Barefoot bell bottomed hippies
Denim sweeping the ground
[Reserved]*
Revolutionary hair — fists in the air
Dragging us back in the mud
Blunt antiquity
Move on Woodstock!
Take your shades, caps, change and loose articles
Bombs in black holes!
[Where did you go?]
We should be sunning in the Bahamas
chilling on hemp swings and
chairs swiveling in immersive environments
Higher than kite fights
A soaring for points experience
Get off the ride Woodstock!
You had your turn — at freedom
Exit signs are easy to find — look
The dragon is in the window
Freedom is accessible
Wonder is a trip
with walk through assistants
Dreams of power and prizes
Optional…
Fall out and Jack into
a walk through Whole Foods like Hitchcock
in his magnum opus
about a world… full of extra
architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning — and more — of her… virtually surreal
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers song
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
Copyright © 2016 E Maria Shelton Speller. All rights reserved.
*I’ve toyed with a conundrum, for too long. [Reserved][Reserved] functions like a digital art installation in Woodstock! (WIP (x Bars)). I could render [Reserved][Reserved] a mechanism – to catch That Yoni’s beat in perpetuity. I could close the brackets with bars that fills your loins with blood. I could leave redundant emptiness here — like tautology or romanticized art, or structural language — in this bifurcated space, like stars.
I could invite Poets to fill the empty bars for [Reserved][Reserved]
Woodstock! (WIP (x Bars)) [Reserved][Reserved]
Overture: Woodstock is an ensemble. There are two voices and the beat in this WIP… the Narrator’s voice, Hitchcock’s, and “That Yoni”. See Side Bar by JuseBeats!
In a walk through Whole Foods like Hitchcock
In his magnum opus
about a world… full of extras
in architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning and more — of her…
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
He nods
I’m thinking
Disappointed… in us!
[There’s no other way to say it — I can’t dress it up]
Caught between a slumbering scream and Vertigo
Cruising isles and isles of sweet and sour
People who think they are special
People who know they are not
People who wish they were
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers prologue
Guess what we did?
A party of twenty
Three couples played before
winking and willing
shills playing in the round
Lovely trips on the Hill
in augmented VR
I’m thinking…
Baby boomers had their turn Woodstock!
Barefoot bell bottomed hippies
Denim sweeping the ground
“Interrupting — The Star-Spangled Banner like
That Doors dude dizzy on Dewey Decimal”
Copyright 2017 by Tang
Gawd made them like him
they never met — ticks time
Copyright © 2017 The Parthenon
The flag was a smoke screen over a grid
a chance to be — a white Supreme
Copyright © 2017 — Nudedcendg
They were diptychs, triptychs, and chapters…
The beginnings and endings… you can play too >>>
Copyright © 2017 E Maria Shelton Speller
Shut the fuck up
Sit the fuck down!
Copyright © 2017 by Donjoncity
Revolutionary hair — fists in the air
Dragging us back in the mud
Blunt antiquity
Move on Woodstock!
Take your shades, caps, change and loose articles
Bombs in black holes!
[Where did you go?]
We should be sunning in the Bahamas
chilling on hemp swings and
chairs swiveling in immersive environments
Higher than kite fights
A soaring for points experience
Get off the ride Woodstock!
You had your turn — at freedom
Exit signs are easy to find — look
The dragon is in the window
Freedom is accessible
Wonder is a trip
with walk through assistants
Dreams of power and prizes
Optional…
Fall out and Jack into
a walk through Whole Foods like Hitchcock
in his magnum opus
about a world… full of extra
architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning — and more — of her… virtually surreal
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers song
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
Copyright 2016 E Maria Shelton Speller
I’ve toyed with a conundrum, for too long. [Reserved][Reserved] functions like a digital art installation in Woodstock! (WIP (x Bars)). I could render [Reserved][Reserved] a mechanism – to catch That Yoni’s beat in perpetuity. I could close the brackets with bars that fills your loins with blood. I could leave redundant emptiness here — like tautology or romanticized art, or structural language — in this bifurcated space, like stars.
I could invite Poets to fill [Reserved][Reserved]…
“It is said that what is called “the spirit of an age” is something to which one cannot return. That this spirit gradually dissipates is due to the world’s coming to an end. For this reason, although one would like to change today’s world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.” ― Tsunetomo Yamamoto
and this…
“Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.” Albert Einstein
[Reserved][Reserved] — An Invitation to Dine
Dear Poet, [Yes, you!]
I’ve toyed with a conundrum, for too long. [Reserved][Reserved] functions like a digital art installation in Woodstock! (WIP (x Bars)). I could render [Reserved][Reserved] a mechanism – to catch That Yoni’s beat in perpetuity. I could close the brackets with bars that fills your loins with blood. I could leave redundant emptiness here — like tautology or romanticized art, or structural language — in this bifurcated space, like stars.
I could invite Poets to fill [Reserved][Reserved] with dope poesy and select a date for submission. However, if we receive one hundred thousand and one couplings, we’d read them… but frankly, why not do, all of the above.
The empty brackets function like missing endings now — lacking only your bylines, pseudonyms, and ghosts — in translatable bars that work in Woodstock! (WIP (x Bars)).
Poets make this space immersive. Explode – The Writer’s Environment is an interactive environment — and this is the first foray for interactivity in this community — that links back to you!
Starting August 15, 2017 — let’s finish this poem with the best bars — curated for Woodstock! (WIP (x Bars)) here… Bon appétit.
Cordially,
The Chelsea Hotel, Manhattan
PS: No Spam — Balls in the air! An experience for us and them.
Copyright © 2017 E Maria Shelton Speller
Girl Band of STEMs
Girl Band of STEMs, is a lark, a careful ruse about a writer, who comments on her own stories. It is metafiction in a digital world. This, I would argue. The author writes a story about herself, writing a story about her Band, and the Band knows they’re in the story, about a story that interacts with you. She writes a story, where her audience is her muse – may demand she change the ending, in an installation we build in space — for dreams, on a loop…
The Band asked me to write tags for my work. Tags! But, opportunity or obstacle… the Muse is insatiable — until it works. Poets know that tick, when everything becomes art – in a second glance. Woodstock, was absolute freestyle in a digital world. I worked on it for weeks… and wrote it Live one Saturday afternoon – five hundred revisions at least. Poets know that tick. I changed commas to periods and back again – metaphors to imagery, slowed it down, sped it up. Reminisced. If you were there on that Saturday afternoon, Woodstock was a writer’s tick at work. I wrote the hook on the 7th Street Bridge in DC. Installed [Reserved][Reserved] when I lost my way. Found the beat, marked the spot, and then it looked like a digital art installation, in spite of the implications — for structural functionalism in space. But, my muse is pissed…
Tag: Yellow Tape [A Memoir]. “I don’t believe in coincidence. I believe in synchronicity…”
Tag: Woodstock. A Band for Immersive Content. A Woodstock Experience.
Tag: The Foreword to Insomnia’s Istanbul — The Voice of an Unreliable Narrator in Medias Res: Unlike the neighbors next door, who desperately moan for us all, in the back of a dolmus — sex is existentialism. It is earnest copulation, a period of decline in a carriage drawn by a wild-eyed spooked horse — and I hoped she felt the sharp turn, at the corner of the Soup Kitchen of Lady Nilufer, in her throat.
Tag: Love Divine: Tadao bathes Tess in a black granite tub. Then he slips behind her like an ice cream scoop. Blood spills like a waterfall in a Japanese dream over the side of the tub. Red water on the porcelain floor looks like a strawberry swirl.
Tag: Metafiction — [The Dollhouse] with the Red Corvette: [Vous êtes contrarié parce que je suis sorti du lit. Ce n’était pas ce que tu imaginais – dans le film dans ta tête. Je ne peux pas aller aux toilettes, quitter la pièce ou fumer une cigarette. smh]
Tag: Tagging Dystopia: [OdamnIwantedtheopportunitytocomefrommichelleO]
Tag: Aristotle Michelangelo and Louis Picasso’s Parallel Discussions: Come on baby. All you have to do is dream — from the end of a pen.
Tag: Luda’s Second Soliloquy — Miles Language II. [Metaphor].
Tag: [For The Purple One]
Tag: [The Life of Pie] He thought/Big Blue was a deeper trip/Absurd space looked/Absurd from here/He looked around the virtual/And mad shouted/Who read the pieces first?/Anyone?/How did it ring?/How did it feel?/How did it resonate?/She said, I started at the slices/Chaos, straight out the gate/When Big Blue was just/The sky.
Tag: Picasso The Bohemian (Les Demoiselles d’ Avignon) “…She told halcyon tales of life — uninterrupted by death and chthonian sex — like the brazen whore in the fore — riding the fugitive cube — with the wasp waist and black aft — Eucharistic grapes, and the curl of the rind — pointing to glorious thighs — and with eyes in the back of her head — she watched the spectator off center… watching — Picasso The Bohemian — who lived in Barcelona — standing behind the curtain — wearing a mask…”
Tag: Explode [Am I awake, or are you a dream?]
Tag: The Gaze (WIP) I know I needed to stay in and listen to music like Paz did and avoid humans — he said, “To read a poem is to hear it with our eyes; to hear it is to see it with our ears.” Instead, I left my home and this is what happened… Apparently, a new and poorly trained employee provided incorrect information over the phone. Consequently, I arrived unprepared, and had to return to my vehicle. Because, I had to return to my vehicle (in the rain) parked around the corner — I ultimately, received a ticket for expired meter! A ticket. What should have been a $26 transaction is now $76 in this crowded, greedy — unimaginative city!
Tag: Directing the Master Scene in the Mirror. It’s impossible to write poetry, without libido. Without libido, there’s no passion and without passion, there’s no pluck.
Black Marnie
Looked like [Mardou Fox]
through Kerouac’s eyes_
Remember… those puffy lips?
Yakuza found her in Tokyo
and lost her — in the Philippines….
[Wait… There’s a surprise at the end]_
They stole Alexa
She had all the poetry
Yakuza chased her through Tokyo
to the Phillipines
Alexa, was everything to him
Cream like the color of his skin
Ahh, the poetry
He lost everything
Fell in love with a haunting hunt
Baby, come back to me
Copyright © 2017, 2018 E Maria Shelton Speller All rights reserved.
Woodstock! (WIP (x Bars))
Overture: Woodstock is an ensemble. There are two voices and the beat in this WIP… the Narrator’s voice, Hitchcock’s, and “That Yoni”. See Side Bar by JuseBeats!
In a walk through Whole Foods like Hitchcock
In his magnum opus
about a world… full of extras
in architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning and more — of her…
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
He nods
I’m thinking
Disappointed… in us!
[There’s no other way to say it — I can’t dress it up]
Caught between a slumbering scream and Vertigo
Cruising isles and isles of sweet and sour
People who think they are special
People who know they are not
People who wish they were
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers prologue
Guess what we did?
A party of twenty
Three couples played before
winking and willing
shills playing in the round
Lovely trips on the Hill
in augmented VR
I’m thinking…
Baby boomers had their turn Woodstock!
Barefoot bell bottomed hippies
Denim sweeping the ground
Revolutionary hair — fists in the air
Dragging us back in the mud
Blunt antiquity
Move on Woodstock!
Take your shades, caps, change and loose articles
Bombs in black holes!
[Where did you go?]
We should be sunning in the Bahamas
chilling on hemp swings and
chairs swiveling in immersive environments
Higher than kite fights
A soaring for points experience
Get off the ride Woodstock!
You had your turn — at freedom
Exit signs are easy to find — look
The dragon is in the window
Freedom is accessible
Wonder is a trip
with walk through assistants
Dreams of power and prizes
Optional…
Fall out and Jack into
a walk through Whole Foods like Hitchcock
in his magnum opus
about a world… full of extra
architectonic loops and links, alliteration and reverie, force, ballast, fancy partitions, linear renderings, systems of reckoning — and more — of her… virtually surreal
He wants
Beddo, Caprino, Dolce Sardo
Zufi, the Saperavi
Whispers song
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
We don’t want to feel we’re high…
We just want to think we’re high
in Dubai
Copyright 2016 E Maria Shelton Speller
“It is said that what is called “the spirit of an age” is something to which one cannot return. That this spirit gradually dissipates is due to the world’s coming to an end. For this reason, although one would like to change today’s world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.” ― Tsunetomo Yamamoto
and this
“Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.” Albert Einstein
Cheers! I would also like to thank 40K poets at heart (like us) on FB et al, who like and love, and laugh, and mislike this WIP! Please pardon the broken link… We’re working on it. However, this glitch is an opportunity to say thank you for being in this Writer’s Environment with me. Happy Holidays and have a wonderful New Year!
One Single Act of Love
I sold a rock opus to the best Black rock band on the planet. A band that lost its capacity to dream. Formulaic guarantees skewed their imagination for platinum discs. The male coward covered their lifework, literally. My story reminded them of what ‘rushing’ felt like, how complete, how deep blushing could be obvious. And they bought it, and produced it. And it was good — it was better than good. It was thought provoking and it was an African-American affirmation of our realities and our fantasies — no matter how unrealistic.
Suddenly, they were very significant and the world truly believed, that rock music is black music and black music is everything. Power is aesthetic. Aesthetics is politics and being black is philosophical and our philosophy is phenomenology and being black, is being real.
No Hip Hop could say as much as this rock opus did, ever — no matter how many stories they sampled. So, this black rock band were crowned kings and were exulted, and revered; incandescent icons, the envy of friends, the consumption of man, the image of immortality — like the stained-glass heaven you summon before you close. And they loved me. I was the wick in their candlestick and without me, there was no burning flame. I was the source of their energy. I, was the unstained virgin encamped.
Sooner than anyone imagined, there was nothing more important, than our collaboration. The media was our medium. They stopped referring to me as a writer, and started calling me, a Love Supreme…..
Copyright 2016 by E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Aristotle Michelangelo and Louis Picasso’s Parallel Discussions
Aristotle Michelangelo and Louis Picasso’s
Parallel Discussions (In Medias Res) Overtaken by Events
Behind Pushkin’s Coffeehouse, Aristotle Michelangelo and Louis Picasso sat on the remnants of a barge, trading barbs in Ibiza… swinging high top leather sock hip hop sneakers, and creeper boots in blue green virtual water, with Rick Owens’ reflection in the pool, burning fat ones – away from the beautiful ones — in a Period Piece. The Darlings of today’s literati — visionaries during the Harlem Renaissance, play themselves in a satirical throwback in VR.
Louis Picasso: “In RL, it’s 6 P.M. You just got home from work or you work from home in your virtual office. You decide to spend the evening in space! You scan Balmain for your Avatar – dope fashion — with as much audacity as Hype Williams’ black lacquered Keisha in Belly — wearing Versace!
You decide to download your brand new Porsche designed by Porsche and Atari for Microsoft, on the Pacific Coast Highway — Malibu on the left, Pepperdine University on the right, you’re on your way to virtual LA in the fast lane — your thighs are burning. Other avatars and their cars share the PCH too — driving Vipers, Corvettes, the white BMW X6 and you are speeding at 100 MIPS, streaming Coltrane.
Aristotle Michelangelo interjects: “Then you decide to go to BET’s virtual Nuyorican Café in Gotham City for the Open Mike – Saul Williams and Jessica Care Moore are featured (as themselves) tonight. You hand the keys to the valet — pay at the door with your password, sit front row center no matter what time you arrive, sign up to read your poem — because you can start over from the beginning or resume. Gender! Lame. Race is unimaginative in Space. Ethnicity is a brand — at best. The Open Mike is over at 10 P.M. but there is still time to go to Bar Pitti. You walk in and Claude McKay is at the bar in a heated debate with Ralph Ellison about literary ownership — by Netflix.
McKay shouts and then nearly whispers to Ellison, ‘It takes more than creative androgyny to “embody” the opposite sex. The storytelling responsibility of all writers, whether female or male is to fill the void. When a woman creates a man, she must imagine the sensation of “owning” a penis. When a man creates a woman, he must imagine the sensation of “owning” a vagina. It is a void, not a vacuum. A vacuum would imply the all-consuming black hole — the feminization of sex. It is not trained comprehension or chromosomes — it takes pure imagination to get the story straight…’
Louis Picasso: “Then, at Midnight, you blow kisses and wuggles to your friends, and log off. You stand and stretch your back, and your bladder is bursting because you forgot about your biological realities. The television is off; it has been off for weeks. Why watch television when you can be your own audience? Randall Walser said it best, “The filmmaker says, ‘Look, I’ll show you.’ The space maker says, ‘Here, I’ll help you discover.’ We will be our own creators functioning like actors in high culture — tools of the taste public! We will create our own universes — our own planets. We can superimpose our images circa 6 BC – AD 30, and follow Jesus to the Promised Land, witness the crucifixion – and how we feel and what we think is utterly private and without commercials! Because, global messages with common appeal will forever change with today’s technology, the challenge is to make communication visual, images symbolic, and still sell product… I want to propose arcane ideas…”
Aristotle Michelangelo interjects: “I want to develop, manage, and direct vision. My goal is to be where imagination and business are indistinguishable, because imagination without business, and business without imagination is as incongruous as capitalism without consumers… I found a dope quote dog!”
“When, she was still in her teens, well before she met Caesar, Cleopatra already had slept with Antony… though Caesar was fifty-three and she but twenty-three or so she proved ready enough to bed her third Roman. It is said that Cleopatra was a woman of lively turn and enticing talents. She also had a keen sense of the political. That this Roman [Caesar] conqueror had the power to secure the Egyptian throne for her must have added to the attraction she felt for him…Caesar established her in a sumptuous villa across the Tiber, from which she held court, while political leaders, financiers, and men of letters, including the renowned Cicero, danced in attendance.” Michael Parenti
Louis Picasso: I’m reading the same book, and I have a better one!
“In a prologue to Caesar and Cleopatra [George Bernard Shaw] that is almost never performed, the god Ra tells the audience how Rome discovered that ‘the road to riches and greatness is through robbery of the poor and slaughter of the weak.’ In conformity with that dictum, the Romans ‘robbed their own poor until they became great masters of that art, and knew by what laws it could be made to appear seemly and honest.’ And after squeezing their own people dry, they stripped the poor throughout the many other lands they conquered.” Michael Parenti
Aristotle Michelangelo: Shrugged his shoulders unconsciously, “Chez Bricktop in Paris?”
Louis Picasso: Not now. I am having a violent reaction to prescription drugs! My body is like, ‘Don’t put that shit down here again!’ They gave me all this medication for Acute Caesarion whatever — and I took it! Of course, you don’t exhaust the shit. You’re not an idiot. But, what the fuck? Where the weed at?”
Aristotle Michelangelo: I think it would be dope to channel Kerouac’s apology for automatic writing.
“He likened writing to dreaming and fantasizing, as a substitute for life. So, he wrote The Subterraneans, in three days and nights of speed typing energized by Benzedrine — to imitate the rhythm of Bebop like free energy flow, and unrestrained association, to reveal the unconscious… because he wanted to flow from inside out in spontaneous prose!” Dystopia, Explode 2015 2.0
So, here goes… They called her Marnie — behind her back. I was torn. I played with variations of Marnie. Black Marnie. Brown Marnie, Tortilla Marnie. It’s the language of found art. Bansky, Kehinde, Jazz, Hip Hop… They teased each other. Hitchcock’s Margaret, Mary, Marnie, teases Mark, so she could get the combination, to his company safe, and steal the money. She was a Kleptomaniac, a compulsive thief. A killer. She disappears. On the run! He tracks her like an animal, and finds her at a Lodge, riding her horse to the stables. He orders her off the horse, tells her she’ll walk — he’ll ride. He interrogates her. She tells him a bullshit story she can’t keep straight. He calls it, manure! Tells her to start over from the beginning, and this time — tell the truth. Back at the Lodge – he tells her to freshen up, change her clothes so he might take her to the police – she thinks. She does not know… It’s Tippi Hedren in RL! The white woman of a black man’s dreams – when he dreams about white women. Blonde, pearly white teeth and skin — Barbie! Beckie! He tells her, they will return to ‘the house’ and announce they are engaged, would to be married within the week and then cruise around the world. Of course, she thinks he’s “Out of his mind!” He told her, it was either marriage or the police, old girl. Black Marnie. Who would play her?
They get married. Eventually he takes her virginity. She tries to commit suicide. I don’t think I want to go there… Suicide. Who should play Mark? [#nomoreslavestories.] Does he catch her?
Louis Picasso: I remember that story. He said, I caught a real animal this time. I had to train her… to trust me.*
Aristotle Michelangelo: Pussy Riot danced in the cathedral — goes to jail, and the artist nailed his scrotum to the Red Square. She’s a prisoner of love. That kind of love makes me uncomfortable, racked, and anguished like a pet must be around possessive people. The energy is ignitable like the choice between blowing up and letting go. I don’t want to belong to anyone. But, what do I know about love?
Louis Picasso: Black people don’t like black people. That’s why we’re in this — hole… barrel, bucket, duck it, fuck it… We know it’s true. Listen to the tonal center of this beat!
Aristotle Michelangelo: In sixty revolutions a minute, if it’s not organic, I can’t get with it. Hate is not organic. Hate is a social construct. I want to live the life I swam to the egg for… A social construct is like zoon pushed to the egg, by stronger swimmers behind it. It’s still goal niggaz. I want an organic experience on this gridiron. A certain freedom, mere man can’t give, conceive or contrive. I want freedom Divine. You want to be free — you have to fuggin’ work for it. Zufi?
Aristotle Michelangelo: You need money, software and rigs in the virtual world. Bombs are obsolete. Race and gender is a pastiche — game challenges for points.
Louis Picasso: Beauty and power is iconography and homely stamps are hiccups – and brick and mortar is a path to experience the destruction of daredevils and matadors — in coliseums of pestilence and poverty – empirically.
Aristotle Michelangelo: Why go there? When, life is a perfect dream in a virtual world.
Louis Picasso: IJS. Get on board with — evolution. Evolution is not physical space. It’s the diamond life in our heads on a loop. Its VR not the moon…
Aristotle Michelangelo: I love wearing the mask! You can’t see my countenance — in La La Land, my eyes may smile. My lip may curl up or down… I’m an introvert; an INTJ — is that Caprino?
Louis Picasso: Now that Juneteenth is a federal holiday, it will be impossible to ignore slavery in America… Why are some Black Americans worrying about slavery in America being taught in schools? The horse is out of the barn! Instead of embracing Juneteenth and all that it implies… Black Americans are WHINING and using the language of slaves, “they won’t, let us, allow us, give us and get…” Instead black Americans are still looking the other way when a black man drags a black woman by her hair [DC], and black people are murdered by black people in Chicago – for giggles. June 19, 2021 marks the day, that Black America must acknowledge that ‘we’ are no longer slaves and assume responsibility — that’s what freedom is.
Copyright 2016, 2018, 2020 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast rewritten or redistributed without permission.
*Alfred Hitchcock, Marnie
The Wonderment
Why does black on black crime matter less than black lives matter?
Black on black crime is the consequence of a broken man
Black lives matter is the consequence of a broken system
Fix the broken system
fix the broken man >>>>
Copyright 2016 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Bernardo Bertolucci passed away today, November 26, 2018 — RIP
- The Sheltering Sky
- The Dreamers
- The Last Emperor
- The Conformist
Dada — Lost and Found — Triptych
Doing nothing
and falling
I would be nosey
like numbers on analytics
Floating lollipops and gummy bears
Copyright 2016 E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
On the 48th year since the assassination of Rev. Dr. Martin Luther King, Jr. — the language for this mash-up, was for the revolutionary icon.
Happy Holidays Poets! Played Like a Diptych — A Triptych…
She gets played like a Diptych – in a Triptych…
Happy Holidays Poets!
by E Maria Shelton Speller
It happened at a Springboard Party… She barely glanced at me. Looked at my woman like… Her locs were in a ponytail — they have to be down her fucking back… when our friends shouted at the screen, “The Screening Room. The furthest found.”
Copyright 2015, 2016 by E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
ONE ACT PLAY — SPRINGBOARD’S CURTIN* CALL
CAST RETURNS TO THE STAGE — DANCE CLOSE
If you can, imagine Seven Whole Days on repeat… and you were raised in the city of Boston — where Playhouse in the Park is the only alternative to hot house parties, in Orchard Park or Ruggles Street — and dancing room is a premium for a chilly Bostonian, with a New England attitude.
When four seasons and rapid transit affords you the opportunity to go anywhere at any time, wearing everything a Bostonian can — properly — weather be damned… then you know how much space love demands. In an apartment when body heat is canned and cool, you learn to slow dance in the place you pick with just the space between grace and pressure. Boston, is the only city in America that knows how to have sex on legs. If you think it’s a mere grind — you can’t dance in a vacuum. The only thing a man can do, if he’s not a Bostonian, is let the lady lead when she is a Bostonian, and hope — its a long song.
Copyright 2004, and 2015 by E Maria Shelton Speller (Explode: Epic Poetry ~ Excerpt from (Behind Pushkin’s Coffee House)), and the One Act Play — Springboard! All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
*This is not a curtain.
Luda’s Second Soliloquy — Miles Language II
If I could write language
that speaks and points….
At trumpets
when the moon is tone
and the sun is sfumato
See… the chiaroscuro Supreme
[dream in hue]
magenta, chrome, cherry-white
[mixed with blue fugue]
Put-the-night to sleep!
See Sisyphus scorn
at amber headlights
in Paris dew
Skin seeking skin
and birds seeking
[the flutter of feathers]
ink… that runs like blood
on paper… that does not bleed
Contrapposto poets
succumbing to peaches
Dogs… suspended
like meat in Seoul
[In the dawn]
She comes home
the moon is a beat
the sun is trill…
Dada responds
to Surrealism
Hip Hop responds
to R&B
[The trumpet responds]
to me
bebop bebop bebop bebop blam!
Fa Falala…
Copyright 2004, 2015 by E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Inspired by Miles Davis’ Bitches Brew and Zurich Dadaist Hugo Ball who according to Arnason’s thesis on Ball’s conventional language “had no more place in poetry than the outworn human image in painting, Ball produced a chant of more or less melodic syllables without meaning: ‘zimzim urallala zimzim zanzibar zimlalla zam.’ “
Luda’s Soliloquy — Miles Language I
If I could write a poem
with the language
of sound
strings, keys… lisps
Cylinders spheres cones… lines
Miles tripping
Turning turning in melody
Blowing brass trees
whispering through trim lips
white horses, white horses
Standing over Princes
Cries cries
Cry like a woman
whirling in
an eddy of tongue…
Words wedded together
Like brothers
Kidnapping daughters*
A mind fuck
A dark defining gaze…
Words you see in 4D
You smell reed
fingers tremble
skin riffs
Words with the sigh of a Diva
Mad Mad like
Zeus on a bad rape
When you look up from the page
You will not see me
Molesting you with crazed
language…
Copyright 2004, 2015 E Maria Shelton Speller
* Peter Paul Rubens’ The Rape of the Daughters of Leucippus
Inspired by Miles Davis’ embouchure
Night — FAWC Summer Programs — Featuring Istanbul
“I think women artists begins to pay attention to what people expect from them, as opposed to what they are searching for within themselves. It’s pretty deadly.” Euphonic 7 “The Artist”
The Foreword to Insomnia — Featuring Istanbul
[Perennial Playlist]
Nobody Speaks ~ feat. Run The Jewels – DJ Shadow (The Mountain Will Fall)
Where This Flower Blooms — Tyler, the Creator (feat. Frank Ocean)
Don’t Knock on my Door — Tdot Illdude ~“TRAPSOUL” — Bryson Tiller
“Deee-Lite Theme” — Deee Lite ~ “Estate” — Joao Gilberto ~ “Gooey” — Glass Animals
“Mercy” — Kanye West ~ “The Far Side of the Moon” — Tinashe
“Give Me Your Love” — Curtis Mayfield ~ “Seven Whole Days” Toni Braxton
“Two Weeks” ~ “Pendulum” FKA twigs ~ “Zip That Chop That ” Black Hippy
“Panda” Desiigner ~ “SevenRings” — Lyricks and JL
“Sex Packets” — Digital Underground ~ “Elemental” — Tears for Fears
“Heavn” — Jamila Woods
“Sunset” (Ft. Yuna Zaraai) ~ “Special Affair/Curse” — The Internet
“Seven Suns” ~ “CPU (feat. RZA) — Raury
“Where Do We Go” ~ “F.U.B.U.” (feat. The-Dream & BJ The Chicago Kid) — Solange
“Me and Your Mama” — Childish Gambino
“I Miss You” (Dobie Rub Part One-Sunshine Mix) — Bjork
Liberation ~ OutKast — Belle and Boujee — Migos Beauty and the Beast Parody (Nerdist Presents)
Without You I’m Nothing — Placebo (featuring David Bowie) ~ Diamonds — Rihanna
Immigrant Song — Led Zepplin — Lose Yourself ~ Eminem
Give It Up Fast — Mobb Deep (feat. Big Noyd and Nas) — fullmoon — Ryuichi Sakamoto
Bodak Yellow ~ Cardi B — Kitana — Princess Nokia
Marvin Gaye — Live! — 24K Magic ~ Bruno Mars
I’m weak for you ~ Madame X ~ Chris Tucker — Live
Black Panther Trailer 2 (Extended) — Femme Fatales ~ Saint Tropez
We the People — A Tribe Called Quest
Marvel Studios’ Avengers: Infinity Wars – Official Trailer
Everything Is Good About You — The Supremes
Ocean’s 8 — Official Trailer
Compton — Kendrick Lamar (ft. Dr. Dre) (Prod Just Blaze)
LoveHappy — The Carters ~ Violent Crimes — Kanye
[Aristotle Michelangelo and Louis Picasso’s Parallel Discussions]
Just Like a Baby — Sly and the Family Stone w/Bobby Womack
Paris — Ashlee + Evan — If You Know You Know — Pusha T
Sicko Mode — Travis Scott — Hannibal (Live) ~ Miles Davis
Focus ~ H.E.R. — Could’ve Been ~ H.E.R. (feat. Bryson Tiller)
Real Freak — Dru Hill
Momma I Hit A Lick ~ 2 Chainz (feat. Kendrick Lamar) (Prod. Pharrell)
The River — Citizen Cope
Diana Ross — Motown 60: A Grammy Celebration
Primal Scream — Loaded ~ Plastic Heart — Nostalghia
El DeBarge — You Are My Dream
Higher Than the Sun (A Dub Symphony in Two Parts) — Primal Scream
Bars and Verses for the South Side (Inspired by Kendrick Lamar’s The Blacker the Berry)
You are here
In front of the Mona Lisa
Provoking six million gags a year
Dismissing she’s da Vinci in drag
You are here
So valuable she can’t be insured
Sfumato eyes and slanted smile
Dangle like sneakers…. on a pole
I can hear you thinking
You are here
You are here
You are here
You are here
Bored with near misses and boors
And the fealty of Jim Crow fifty years ago
Riding a labyrinth carousel in the wilderness
You are here… before the fiery furnace
Freedom not long actually happened
While you were sleeping unaccountable
Transfixed on transitions a half-century ago
Don’t pretend you know what’s going on
We are here beyond the status quo
Beyond owning cable movies until 2024
Beyond the fear of dread before joy
Where do we go from here?
I know, they know, he knows, she knows
Like assumptions on the street is folly
Free your children what can you do for them?
Who are we?
Where conceptions… are constructions
Subject to… demystifications
Like symbols are… adroit for points
Take your children… Over there!
Over there
Away from you
Away from me
Away from them
Away from he
Away from she
Who are we?
Freedom!
You are here
Over there
Away from you
Away from me
Away from them
Away from he
Away from she
Who are we?
Free them!
There are non-profit-tax-exempt boarding schools
For girls and boys who would die on the fourth of July
Because snitches get stitches and fathers disappear
It was an easy sale – – – –
Wooed scholars thinkers and Morehouse men
With paeans and promises for the liberal emergence of altruism
With curriculums and schools of thought designed by them
It was an easier sale – – – –
Bernanke, Chomsky, Aslan, Witten
Micheaux, Baldwin, Davis, Marsalis
Thompson, Sir Timothy, Nash – – – –
Gates, Plato, Picasso, and Sowell
Over there where students create Kickstarter projects
Before the class trip to Paris, France in the fall
Parents watch their children dance under the balustrade
On the sunken floor after the Science Fair on Saturday morn
Where conceptions… are constructions
Subject to… demystifications
Like symbols are… adroit for points
Take your children… Over there!
Over there
Away from you
Away from me
Away from them
Away from he
Away from she
Who are we?
Freedom!
You are here
Over there
Away from you
Away from me
Away from them
Away from he
Away from she
Who are we?
Free them!
Cunning like military brats have to be
Wearing class A red cardigans and purity rings
Watching Venus north of the crescent moon in the dome
Reengineering the next generation
I called myself a Ghost writer
I never claimed to be one
But Talking heads and Rhodes Scholars
Join the flute girls at the grog bowl serving sharp edges and chum
This life is a bizarro disinvestment
But, before you head home by GPS
Where the last honest man is on video
Here’s a bar and verse… for the road
Our Father who art in heaven – – – –
Hallowed be your name
Thy kingdom come
Thy will be done
On earth
As it is in heaven – – – –
Where God given gifts are never squandered
You are here in the foyer with problem and solution
Where common sense is not enough
Where who and what is forever kitschy
Affirmation is a function of negation and vice versa*
Social constructs are under siege and should be
Where talking heads shut the fuck up!
Free them!
You’re welcome to stay for Church
Or join Yogi… Temple
Copyright ©2015 by E Maria Shelton Speller. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
*Octavio Paz